Compilation of Andrade's writings on musical esthetics. Part of a series of publications edited by Flávia Camargo Toni aimed at making Andrade's collection available for study (for other works edited by Toni, see HLAS 52:5119 and HLAS 54:5167). This book undoubtedly adds to our understanding of Andrade's ideas, revealing his reliance on works by German musicologists such as Hugo Riemann and E. Hanslick"--Handbook of Latin American Studies, v. 58.

Compilation of Andrade's writings on musical esthetics. Part of a series of publications edited by Flávia Camargo Toni aimed at making Andrade's collection available for study (for other works edited by Toni, see HLAS 52:5119 and HLAS 54:5167). This book undoubtedly adds to our understanding of Andrade's ideas, revealing his reliance on works by German musicologists such as Hugo Riemann and E. Hanslick"--Handbook of Latin American Studies, v. 58.

Faz-se necessário urgentemente que a arte retorne às suas fontes legítimas. Faz-se imprescindível que adquiramos uma perfeita consciência, direi mais, um perfeito comportamento artístico diante da vida, uma atitude estética, disciplinada, livre, mas legítima, severa apesar de insubmissa, disciplina de todo o ser, para que alcancemos realmente a arte. Só então o indivíduo retornará ao humano. Porque na arte verdadeira o humano é a fatalidade. (Mário de Andrade – O Baile das Quatro Artes).